« slipstream »
-
On Anna Kavan
blogPost, 09/12/2011Anna Kavan, born Helen Ferguson in 1901 was a very English - and at the same time utterly alien - novelist whose own life took on the quality of an existential mystery. Praised by JG Ballard and Doris Lessing, drawing on Kafka and anticipating slipstream long before it became a genre in British writing, her novels described eerie states of dislocation; a lifelong heroin user, her prose has a needle-sharp precision but her subject matter was never drugs.
-
Stories for the dead of night
book, 1967Great teller of strange stories, old and new, in one unforgettable collection. THE SHADOW by Ben Hecdt - MISS GENTILBELLE by Charles Beaumont - THE CHASER by John Collier - TABOO by Geoffrey Household - REVENGE by Samuel Blas - THE PIT by Gwyn Jones - MAN FROM THE SOUTH by Roald Dahl - SREDIN VASHTAR by Saki (H. H. Munro) - THE DEMON LOVER by Elizabeth Bowen - SILVER CIRCUS by A.E. Coppard - PALACE OF SLEEP by Anna Kavan - THE WOMAN AT SEVEN BROTHERS by Wilbur Daniel Steele - A JOURNEY by Edith Wharton - THE LOTTERY - Shirley Jackson - TWO BOTTLES OF RELISH by Lord Dunsany - THE PROOF by John Moore - TURN OF THE TIDE by C. S. Forester - THE TELL-TALE HEART by Edgar Allen Poe - THE MIDDLE TOE OF THE RIGHT FOOT by Ambrose Bierce - THE ILLUSTRATED MAN by Ray Bradbury
-
Review: Ice, Anna Kavan
blogPost, 28/06/2011When I picked up this book, all I knew about it was that it was apocalyptic. I certainly didn’t realise that the apocalyptic scenario in fact plays out a sinister psychological dreamscape, where the boundaries between interior and exterior, real and imagined, hallucination and daydream, sadistic wish-fulfillment and physical injury, are utterly erased. That was a shock. But whilst Kavan’s Ice turned out to be far more disconcerting than I’d anticipated, it certainly wasn’t disappointing.
-
Sisters of the Extreme: Women Writing on the Drug Experience: Charlotte Brontë, Louisa May Alcott, Anaïs Nin, Maya Angelou, Billie Holiday, Nina Hagen, Diane Di Prima, Carrie Fisher, and Many Others
book, 2000-05-01• An anthology of writings by some of the most influential women in history on the often misunderstood and misrepresented female drug experience.• With great honesty, bravery, and frankness, women from diverse backgrounds write about their drug experiences.Women have been experimenting with drugs since prehistoric times, and yet published accounts of their views on the drug experience have been relegated to either antiseptic sociological studies or sensationalized stories splashed across the tabloids. The media has given us an enduring, but inaccurate, stereotype of a female drug user: passive, addicted, exploited, degraded, promiscuous. But the selections in this anthology--penned by such famous names as Billie Holiday, Anais Nin, Maya Angelou, and Carrie Fisher--show us that the real experiences of women are anything but stereotypical. Sisters of the Extreme provides us with writings by women from diverse occupations and backgrounds, from prostitute to physician, who through their use of drugs dared cross the boundaries set by society--often doing so with the hope of expanding themselves and their vision of the world. Whether with LSD, peyote, cocaine, heroine, MDMA, or marijuana, these women have sought to reach, through their experimentation, other levels of consciousness. Sometimes their quests have brought unexpected rewards, other times great suffering and misfortune. But wherever their trips have left them, these women have lived courageously--if sometimes dangerously--and written about their journeys eloquently.
-
Slipstream (genre) - Wikipedia, the free encyclopedia
encyclopediaArticle,None
-
Quelques notes sur la science-fiction comme genre… ou culture
webpage, 01/03/2012Faut-il encore parler de la science-fiction comme « genre » ? Ou faut-il plutôt y voir une « culture », au même titre qu’on distingue ici des « cultures urbaines », là des « cultures jeunes » voire des « cultures d’entreprise » ou autres « cultures rock » ? - See more at: http://resf.hypotheses.org/435#sthash.1w1YasX6.dpuf
-
The hallucination of one moment did not fit the reality of the next
blogPost, 06/03/2012I’ve written before of how sometimes work, life generally, can wreck my reading of a book. A busy period, a week passes without a page turned, and suddenly a great book has become a chore. I don’t remember what’s going on or who the characters are or why the plot involves a chihuaha*. The book becomes staccato and dissolves into incoherence.
-
Winter Is Coming: Ice by Anna Kavan
blogPost, 20/03/2012From the outset it is obvious that Ice is a novel about obsession but it rapidly becomes clear that it is overwhelmingly about illness.
-
Christopher Priest: The Glamour
blogPost, 10/05/2012The Glamour (1984) is the novel Priest published after The Affirmation, and it is a development of some of the ideas and themes in that book. It has narrative switches and stories within stories; like The Affirmation it is a work of slipstream fiction, where two worlds – two genres – rub shoulders and even merge. It is also – and here is where Priest’s assertion of genre exploration makes sense – a book which tests and teases the reader of mainstream fiction. It would not be surprising if it was inspired in part by Anna Kavan’s Ice (to which Priest has written a foreword).
-
Reality had always been something of an unknown quantity to me
blogPost, 06/08/2007Anna Kavan was the pen-name of Helen Woods (1901-68), a British writer and artist (her self-portrait can be seen here). By all accounts she was a deeply damaged individual: prone to mental illness and a lifelong heroin addict, she attempted suicide several times in the course of her life.
-
Portrait of the Artist as the Books He’s Loved
blogPost, 11/10/2011My first encounter with Anna Kavan came via an image found trawling through a friend’s flicker page. There is a lovely group of really wonderful women I have met online via my obsession with the 60s & 70s films of the fantastique, and “Oola” is one acquaintance I was particularly bewitched by. She seemed to have impeccable taste and a wonderfully exciting life (from what I could see of it online), so the combination of my experience with the owner of the book and the cover of the book itself, I immediately requested the book from inter-library-loan (at the time, Kavan’s Julia and the Bazooka was out of print).
-
Ice by Anna Kavan
blogPost, 09/11/2011Ice by Anna Kavan was 70% off, I do not know the writer, but after reading Doris Lessing’s comment, I carted it off with the rest of the titles for purchase. The eerie and strangeness of the story seems an exciting read. I am intrigued how a heroine addict writes one of slipstream’s most significant novel.
-
Fantastic tales
book,Indhold: The Green Lady : English folktale. The witches' excursion : Irish legend. Edgar Allan Poe: The black cat. E.E. Kellett: The Lady Automaton. W.W. Jacobs: The monkey's paw. Charlotte Perkins Gilman: When I was a witch. Saki: Sredne Vashtar. Graham Greene: Proof positive. Manly Wade Wellman: The theater upstairs. Leonora Carrington: White rabbits. Richard Matheson: Blood son. Anna Kavan: A visit. Patricia Highsmith: The empty birdhouse. Vonda N. McIntyre: Spectra. Russell Bates: Rite of encounter. Angela Carter: Penetrating to the heart of the forest
-
Anna Kavan : brilliant like ice
blogPost, 29/09/2011Her descriptions burned so brightly when I first began reading the work of Anna Kavan that I felt a kinship with her almost at once. I have sometimes wandered past her last home in Peel Street, London, in pilgrimage. The novels and memoirs stand on my shelves: I came across Ice first, then Asylum Piece and My Madness, then Let me Alone, Julia and the Bazooka with its 1960s hip bohemianism, and Sleep Has His House.
-
Murmurations, uncanny stories about birds
book, 2011Freud observed that birds ‘don’t seem to be submitted to the same laws of gravity as us’, although without gravity they would die, as they need it to swallow. Birds are all around us; they could not be more familiar. And yet at the same time they are alien, unheimlich – uncanny. Award-winning editor Nicholas Royle brings together previously published stories by Daphne du Maurier, Anna Kavan, Russell Hoban and others with brand-new tales by contemporary writers including Bill Broady, Adam Marek, Regi Claire and many more.
-
Found Guilty: Anna Kavan's latest novel
newspaperArticle, 28/06/2007A lost manuscript of a novel by the British writer Anna Kavan - which turned up at the University of Tulsa of all places - will be published next week. I, for one, am deliriously happy about the publication of Guilty, since Anna Kavan, who died in 1968, is one our greatest and most original novelists.