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A Stranger on Earth by Jeremy Reed
newspaperArticle, 07/07/2006On the cover is an old snap of Anna Kavan tinted to make her look like somebody she never could have been. Before colour photography, it was a profession: tinting photographs, flattering the sitter. If it was the novelist herself who agreed to this enhanced Anna, then the picture is probably a witness to another of her attempts to be just like everybody else, and that is painful.
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Literary Heroines to Love: Anna Kavan
magazineArticle, 07/122008This week is the fortieth anniversary of Anna Kavan’s death. Although these days she remains largely unmentioned by the mainstream media, without her the modern literary landscape that we know and love would be much more barren. Canonised female authors from Anais Nin to Virginia Woolf owe much of their experimental style and strength of voice to Anna Kavan.
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Anna Kavan, 'Julia and the Bazooka': a critique
blogPost, 15/12/2013Writers such as Brian Aldiss and J.G. Ballard have praised the writings of Anna Kavan, but I find her work uneven – I couldn’t get beyond the first few pages of self-indulgent, rambling dream visions in Sleep Has His House, first published in 1948. Julia and the Bazooka is also uneven, but serves as a good introduction to the qualities (and weaknesses) of Kavan’s fiction.
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Stories for the dead of night
book, 1967Great teller of strange stories, old and new, in one unforgettable collection. THE SHADOW by Ben Hecdt - MISS GENTILBELLE by Charles Beaumont - THE CHASER by John Collier - TABOO by Geoffrey Household - REVENGE by Samuel Blas - THE PIT by Gwyn Jones - MAN FROM THE SOUTH by Roald Dahl - SREDIN VASHTAR by Saki (H. H. Munro) - THE DEMON LOVER by Elizabeth Bowen - SILVER CIRCUS by A.E. Coppard - PALACE OF SLEEP by Anna Kavan - THE WOMAN AT SEVEN BROTHERS by Wilbur Daniel Steele - A JOURNEY by Edith Wharton - THE LOTTERY - Shirley Jackson - TWO BOTTLES OF RELISH by Lord Dunsany - THE PROOF by John Moore - TURN OF THE TIDE by C. S. Forester - THE TELL-TALE HEART by Edgar Allen Poe - THE MIDDLE TOE OF THE RIGHT FOOT by Ambrose Bierce - THE ILLUSTRATED MAN by Ray Bradbury
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Sleep Asylum
audioRecording, 1986Before powerhouse vocalist Thalia Zedek added her verve to New York's no wave band Live Skull or fronted her own blues-tinged Come during the 1990s, she was fulfilling, in part, the legacy Patti Smith left behind when she dropped from sight to raise her family at the end of the 1970s. Fronting the little-known and even less-remembered Boston band Uzi during the first half of the 1980s, Zedek spit her voice across a dark, underground rock that barely tempered the ferocity of her delivery. The group's only album, Sleep Asylum, was racked in 1986 and displayed their skill at creating a wall of sound that didn't depend on screamed vocals to front the din. It was a godsend for the Massachusetts no wavers, who'd only previously been able to sample the band via the college circuit. A delicious blend of gritty guitar, tape loops, and heavy drumbeats, the music was another slice of the pie served à la Sonic Youth and to a lesser extent, Big Black. Packed with sophisticated melody that barely traps the menace, Sleep Asylum builds across the opening "Criminal Child" to the sweet fragility of "Gabrielle" before launching into the balls-out crash-bang nervous breakdown of "Ha-Ha-Ha," which remains one of the band's finest. Nearly, but not quite outdoing that triumph, though, is the hypnotic "Collections," which roils around guitar and drums and some otherworldly chant before Zedek's vocals weigh in to pose the question, "Would you let me inside your house/Would you like to push me inside out?/Someone should dare." With that delicious intent and her bludgeoned come-on cutting through the music, one can only wonder if anyone would have. Probably not. This album, an early Homestead release, remains devilishly hard to find, but is well worth the price. Sleep Asylum is one of the American underground's long-forgotten secrets, a bit of archeology that, in its own way, helped set the scene for the drone of music's future.
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2015: The Year of Reading Women - K's: Anna Kavan (
forumPost, 01/01/2015None
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Sleep Does Not Have His House: Anna Kavan
blogPost, 20/01/2007A very rare bout of insomnia seems like the perfect time to discuss dreams. Well, I did sleep for a few hours and woke up after a particularly vivid dream. Which I will not describe.
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Kafka's sister
magazineArticle, 31/07/2010Fuelled by heroin and self-exploration, Anna Kavan's underground Kafka-esque novels penetrated the human psyche in a manner that distrubed even JG Ballard.
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Anna Kavan : brilliant like ice
blogPost, 29/09/2011Her descriptions burned so brightly when I first began reading the work of Anna Kavan that I felt a kinship with her almost at once. I have sometimes wandered past her last home in Peel Street, London, in pilgrimage. The novels and memoirs stand on my shelves: I came across Ice first, then Asylum Piece and My Madness, then Let me Alone, Julia and the Bazooka with its 1960s hip bohemianism, and Sleep Has His House.
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Sleep Has His House
encyclopediaArticle, 2000Sleep Has His House is an album released in 2000 by English apocalyptic folk group Current 93. The album was written and recorded as a reaction to the death of David Tibet's father and prominently features harmonium. The lyrics were mostly written by David Tibet and the music composed by Michael Cashmore. The album title was taken from the title of a book by the British writer, Anna Kavan.
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Sleep Has His House
blogPost, 01/05/2012“How dark it is. The moon must have stolen away secretly. The stars have thrown their spears down and departed.”
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Whirlwind
blogPost, 28/09/2011I love the North London Line, and this was a perfect North London afternoon. There is something magical and breathless about the city in the embrace of an Indian summer, and yesterday I had the joy of experiencing it again when Chris and I went up to town for the launch of the Solaris anthology House of Fear. We spent the afternoon in Kensington, having lunch near Holland Park and then making our way across to Hillsleigh Road and nearby Peel Street, both once home to the writer Anna Kavan.
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Books read in August
blogPost, 02/09/2012Sleep Has His House – Anna Kavan Unique. In my experience. I can think of no other novel that I have read that comes anywhere near this. Based in part on her own life and withdrawal from the world, it is a truly surreal journey from day into night, from reality into dreams, from normality into a world of symbolism that is cut off from the mainstream. Yet it manages at the same to imply that, in fact, the night and the dreams and the symbols are a much more fundamental reality underlying the chaotic world in which we are expected to live.
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Introducing Anna Kavan
magazineArticle, 24/02/2011There’s an indispensable book called About Writing by Samuel R. Delany. In the first essay he cobbles together an eclectic list of authors that, ideally, the aspiring writer should read. Because Delany has read everything, you can bet his tastes are wide and varied. And it’s thanks to that book that I discovered Anna Kavan.
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Anna Kavan
journalArticle,It has been said that Anna Kavan wrote in a mirror. The body of work left by the now obscure British modernist represented a constant inquiry into her own identity, and the invention of a personal mythology—or demonology, as it would become later in her career.
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Picador Books – Part 7 – Anna Kavan, Ken Kesey, Maxine Hong Kingston, J K Klavans & Richard Klein
blogPost, 05/04/2010Anna Kavan’s novels were rediscovered in the 1970s and Picador published at least two of them, Ice and Sleep Has His House
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AK (bis) / Obsessionnel.
blogPost, 04/07/2012Les six pages signées Anna Kavan sortent de nulle part. Aucune trace dans les recueils traduits ou les rares articles consacrés à l'écrivaine anglaise, à peine connue de quelques lecteurs français, les moindres n'étant pas Viviane Forrester, Claire Malroux ou Christine Jordis, talentueuses passeuses.
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- Sleep Has His House